A couple of weeks ago, I convinced my family to drive to the White Mountains and hike up to Lonesome Lake hut on the Appalachian Mountain Club trail. Our plan was to sleep at the hut and do some day hikes, maybe see a moose and the last of the autumn foliage.
“Won't you be cold?” my mother asked.
“It'll be great,” I assured her. “How cold can it get in October?”
Pretty cold, as it turns out. We hiked through freezing rain, hail, and even snow at the highest elevation. We couldn't see more than a hundred feet in front of us at times because we were literally hiking through clouds. The trails were slippery and treacherous, too—wherever there wasn't mud, we were skidding on icy rocks.
It was definitely one of those trips that will go down in our family's Vacation Hall of Fame.
We've had a lot of those vacations. There was that foolish train trip to Florida, for instance, where our kids proved to be too young to contentedly look out the window; their idea of fun was playing tag in the aisles. We had another trip to Florida where two kids got strep throat and a third came down with a stomach bug; every time he vomited, he announced, “I tossed my cookies again!” causing the other kids to want a share of those treats.
Then there was our ill-fated trip to Washington, D.C. Determined to show our children the wonders of the cherry trees in bloom and the Smithsonian, we arrived and realized we'd forgotten a stroller for the baby. We managed to buy one, but that mistake cost an entire day. The cherry trees weren't in bloom because winter had lingered, which also meant that the hotel pool was frozen over and out of commission.
Oh, and let's not forget that trip to jolly England, where we rented a restored mill house in the countryside and it rained every single day we were there—so much rain that we finally bought the kids Wellingtons and hiked in it anyway, for fear that otherwise we'd die of cabin fever.
Ah, and the trip to Spain! We brought along my mother as well as all five kids on that vacation, which meant that we had to rent a nine-passenger van—not an easy vehicle to navigate on twisty cobblestone streets through Spanish villages. To make matters worse, they gave us a red one. We might as well have added a neon sign to it, proclaiming, “Stupid Loud American Tourists Here.”
At one point, we drove into the center of one small town and had to back all the way out again because we couldn't turn the van around. The mayor's widow, dressed in her black weeds, her gray hair coming loose in a fountain from her bun, helped direct us, screaming at all of the village men to move their scooters out of our way. Meanwhile, one of our kids (a different one) was carsick enough to toss his cookies, causing the others to shriek.
“That was an awesome trip, Mom,” my son declared after returning from the White Mountains, as we stuffed soggy clothes into the washing machine.
It was, it was. I can say that now that I've thawed out.
Here's the thing: bad vacations are the real family keepsakes, because you survive them together (ideally). You have to play games or tell jokes, you have to get each other through the hail or the flat tire or the flu. Surviving a bad vacation as a family requires everyone to step up and show determination, loyalty, and yes, even courage. Blue skies, sunshine, and a white beach are all pleasant, but what fun is that kind of vacation to reminisce about later?
Remember this, as you're packing up to go away for the holidays this year.
Showing posts with label England. Show all posts
Showing posts with label England. Show all posts
Friday, November 4, 2011
Tuesday, November 9, 2010
Murder and Mayhem in a Parked Car
When the man knocked on my window, I jumped and shrieked. It was dark and rain was pelting against my car windshield. I opened my window just a crack. “Yes?”
The man was old and bearded beneath his yellow rain slicker, with flat black eyes that seemed to absorb the darkness all around us. “Lady, you okay in there?” he asked.
I blinked at him. “I'm fine. Why?”
He shook his head. “I've been trying to get your attention. You're all done here.”
“Oh. Thanks.” I fumbled for my wallet and handed him my credit card. Damn. My gas tank was full. I'd been reading while the attendant pumped gas; now I had to start driving again.
The story of my life is that I often leave my life. There are long moments, even hours, where I have no idea what's going on in the world, or even in my own house, beyond the pages of the book I'm holding in my hands. Even as a child, I was so absorbed by my books that every family video shows a pair of adult hands reaching over to take away my book, and then me looking up and squinting like a startled hen.
The book I was reading at the gas station was Erin Hart's terrific debut mystery, Haunted Ground, and the reason I shrieked when the gas station attendant knocked on the window is because I was in a drafty manor house, just like the main character, American pathologist Nora Gavin. I had just found something dreadfully dead in my bed not long after digging up a girl's severed head in the bog. Just the head! No body!
This is my favorite kind of book: Any mystery set somewhere other than here, preferably written by a British author who knows how to weave history, forensics, and a love story together with a good dash of tension, just enough gore, some heart-pounding terror, and lots of eccentric characters. The other great new mystery author I've discovered recently is Elly Griffiths, whose first book, Crossing Places, I read in a single sitting, and whose second book, The Janus Stone, looks even more promising. Her main character is an eccentric archeologist and, in her first book at least, Griffiths crafts scenes of heart-stopping fright. God, I love her.
Other British mystery writers who always give me a thrill: Dorothy Sayers and her gentle but quick-witted sleuth, Lord Peter Wimsey; Elizabeth George, who lives in England half-time and passes for a Brit even though she's American; and of course P.D. James, the creator of a poet who doesn't faint at the sight of blood.
What is it about mystery novels? Why do I keep reading about murder and mayhem not only in parked cars, but at the breakfast table, during my son's gymnastics practice, waiting at the airport, and late at night after the house is asleep and I'm the only one with a light burning?
I'm not a violent person. The last time I shouted was at our cat for daring to jump on the dining room table. I've never hit, kicked, stabbed, or shot anyone. I want to weep when I hear news stories of real beatings or murders. Yet I can't fit enough killings into my waking hours.
My grandfather was the same way, and he lived with us, so I guess I can blame him. Grandfather worked in the menswear department of Sears and was always decked out in suspenders and a felt fedora pinched just so over his bald head. He got mystery novels out of the library, and every night, he'd park himself in his favorite chair and slowly smoke bowls of lush cherry tobacco in his pipe as he went through them. He had two stacks of mysteries: the one on his right side was the stack he hadn't read yet, and the one on the left side were books he'd already devoured. As far as I know, he never murdered anybody, either, but we did have a really creepy basement.
Mom and I used to read Grandfather's mysteries after he did, sliding them off the left tower of books beside his chair. From about the age of 14 I was reading about rapes and brutal beatings, serial killers and child abusers, people shot or knifed or run over by cars, even people set on fire or carved into little bits. Corpses turned up in fields and bogs, stone churches and manor houses, inside walls and basements, or just flung willy-nilly by the roadside. It's a wonder I ever left the house.
The natural conclusion of wallowing in all of this mayhem is that I, too, have begun writing a mystery novel. It isn't a classic mystery – more of a thriller, really – and it's not set in England. Instead, this book is set in a house that my husband and I once looked at, thinking we might buy it; we were so terrified once we were inside this house that we couldn't get out fast enough. There was something evil lurking there. And now that evil is in my computer, and on the pages that I'm printing out as I write this.
My novel opens with a woman being tossed off the side of a cruise ship, and there are two more murders besides. There's a voodoo priestess, and unspeakable creatures from the underworld crawling along the stone walls at the edge of the property.
As I was writing a certain chilling scene yesterday, a scene set in atmospherically dusky woods with trees that look like sculptures, my son came up behind me just as my heroine spots something – or someone – standing in front of her.
“Mom?” my son said, and I screamed.
I've never had more fun in my life. The only thing better than reading mysteries is writing one.
The man was old and bearded beneath his yellow rain slicker, with flat black eyes that seemed to absorb the darkness all around us. “Lady, you okay in there?” he asked.
I blinked at him. “I'm fine. Why?”
He shook his head. “I've been trying to get your attention. You're all done here.”
“Oh. Thanks.” I fumbled for my wallet and handed him my credit card. Damn. My gas tank was full. I'd been reading while the attendant pumped gas; now I had to start driving again.
The story of my life is that I often leave my life. There are long moments, even hours, where I have no idea what's going on in the world, or even in my own house, beyond the pages of the book I'm holding in my hands. Even as a child, I was so absorbed by my books that every family video shows a pair of adult hands reaching over to take away my book, and then me looking up and squinting like a startled hen.
The book I was reading at the gas station was Erin Hart's terrific debut mystery, Haunted Ground, and the reason I shrieked when the gas station attendant knocked on the window is because I was in a drafty manor house, just like the main character, American pathologist Nora Gavin. I had just found something dreadfully dead in my bed not long after digging up a girl's severed head in the bog. Just the head! No body!
This is my favorite kind of book: Any mystery set somewhere other than here, preferably written by a British author who knows how to weave history, forensics, and a love story together with a good dash of tension, just enough gore, some heart-pounding terror, and lots of eccentric characters. The other great new mystery author I've discovered recently is Elly Griffiths, whose first book, Crossing Places, I read in a single sitting, and whose second book, The Janus Stone, looks even more promising. Her main character is an eccentric archeologist and, in her first book at least, Griffiths crafts scenes of heart-stopping fright. God, I love her.
Other British mystery writers who always give me a thrill: Dorothy Sayers and her gentle but quick-witted sleuth, Lord Peter Wimsey; Elizabeth George, who lives in England half-time and passes for a Brit even though she's American; and of course P.D. James, the creator of a poet who doesn't faint at the sight of blood.
What is it about mystery novels? Why do I keep reading about murder and mayhem not only in parked cars, but at the breakfast table, during my son's gymnastics practice, waiting at the airport, and late at night after the house is asleep and I'm the only one with a light burning?
I'm not a violent person. The last time I shouted was at our cat for daring to jump on the dining room table. I've never hit, kicked, stabbed, or shot anyone. I want to weep when I hear news stories of real beatings or murders. Yet I can't fit enough killings into my waking hours.
My grandfather was the same way, and he lived with us, so I guess I can blame him. Grandfather worked in the menswear department of Sears and was always decked out in suspenders and a felt fedora pinched just so over his bald head. He got mystery novels out of the library, and every night, he'd park himself in his favorite chair and slowly smoke bowls of lush cherry tobacco in his pipe as he went through them. He had two stacks of mysteries: the one on his right side was the stack he hadn't read yet, and the one on the left side were books he'd already devoured. As far as I know, he never murdered anybody, either, but we did have a really creepy basement.
Mom and I used to read Grandfather's mysteries after he did, sliding them off the left tower of books beside his chair. From about the age of 14 I was reading about rapes and brutal beatings, serial killers and child abusers, people shot or knifed or run over by cars, even people set on fire or carved into little bits. Corpses turned up in fields and bogs, stone churches and manor houses, inside walls and basements, or just flung willy-nilly by the roadside. It's a wonder I ever left the house.
The natural conclusion of wallowing in all of this mayhem is that I, too, have begun writing a mystery novel. It isn't a classic mystery – more of a thriller, really – and it's not set in England. Instead, this book is set in a house that my husband and I once looked at, thinking we might buy it; we were so terrified once we were inside this house that we couldn't get out fast enough. There was something evil lurking there. And now that evil is in my computer, and on the pages that I'm printing out as I write this.
My novel opens with a woman being tossed off the side of a cruise ship, and there are two more murders besides. There's a voodoo priestess, and unspeakable creatures from the underworld crawling along the stone walls at the edge of the property.
As I was writing a certain chilling scene yesterday, a scene set in atmospherically dusky woods with trees that look like sculptures, my son came up behind me just as my heroine spots something – or someone – standing in front of her.
“Mom?” my son said, and I screamed.
I've never had more fun in my life. The only thing better than reading mysteries is writing one.
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